{"id":691978,"date":"2026-04-21T11:02:57","date_gmt":"2026-04-21T15:02:57","guid":{"rendered":"https:\/\/veq.ca\/?post_type=tribe_events&#038;p=79605"},"modified":"2026-04-21T11:02:57","modified_gmt":"2026-04-21T15:02:57","slug":"extended-technique-poetry-as-a-site-of-intermedial-experimentation","status":"publish","type":"tribe_events","link":"https:\/\/veq.ca\/fr\/event\/extended-technique-poetry-as-a-site-of-intermedial-experimentation\/","title":{"rendered":"EXTENDED TECHNIQUE: poetry as a site of intermedial experimentation"},"content":{"rendered":"<div class=\"single-event-top\">\n<div class=\"row\">\n<div class=\"col-12 col-sm-8\">\n<p>Join invited poet Jay Ritchie and guests for EXTENDED TECHNIQUE, an event exploring poetry as a site of intermedial experimentation.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"tribe-events-single-event-description tribe-events-content\">\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft\" src=\"https:\/\/www.morrin.org\/wp-content\/uploads\/2026\/04\/Square-2026-04-27-Extended-Technique.png\" width=\"216\" height=\"216\" \/>In 1909, Arnold Schoenberg composed\u00a0<em>Drei Klavierst\u00fccke<\/em>\u00a0Op.\u00a011, a set of pieces for solo piano with an unusual set of instructions: certain keys were to be silently depressed, raising their dampers to allow the strings to vibrate sympathetically when others were struck. This extended the technique of the instrument, applying unorthodox methods to generate new sounds, timbres, and possibilities.<\/p>\n<p>What would it look like to extend the technique of poetry? To intersect the poetic with repertoires of visual, sonic, and digital media in performance? What sympathetic resonances might emerge from these overlaps and interstices?<\/p>\n<p>Join invited poet Jay Ritchie and guests for\u00a0<em>EXTENDED TECHNIQUE<\/em>, an event exploring poetry as a site of intermedial experimentation.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Jay Ritchie<\/strong><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft\" src=\"https:\/\/www.morrin.org\/wp-content\/uploads\/2026\/04\/jayritchie_headshot.png\" width=\"134\" height=\"168\" \/>Jay Ritchie is a poet, critic, and teacher. He holds an MFA in Poetry from UMass Amherst and a PhD in English from McGill University.\u00a0His most recent poetry collection,\u00a0<em>Listening in Many Publics<\/em>\u00a0(Invisible Publishing, 2024), was\u00a0a finalist for the A. M. Klein Prize for Poetry, and\u00a0he teaches courses in literature and creative writing at various universities.\u00a0Creative and critical work\u00a0has appeared in\u00a0<em>Chicago Review<\/em>,<em>\u00a0Jacket2, Maisonneuve, SAND, The Fiddlehead<\/em>, and elsewhere.<\/p>\n<p>&nbsp;<\/p>\n<p>Let them know you\u2019ll be coming by saving a seat in the form on Morrin Centre&rsquo;s Website Here: <a href=\"https:\/\/www.morrin.org\/en\/event\/extended-techniquepoetry-as-a-site-of-intermedial-experimentation\/?mc_cid=1615aa411c&amp;mc_eid=783d4e7481\">https:\/\/www.morrin.org\/en\/event\/extended-techniquepoetry-as-a-site-of-intermedial-experimentation\/?mc_cid=1615aa411c&amp;mc_eid=783d4e7481<\/a><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Join invited poet Jay Ritchie and guests for EXTENDED TECHNIQUE, an event exploring poetry as a site of intermedial experimentation. In 1909, Arnold Schoenberg composed\u00a0Drei Klavierst\u00fccke\u00a0Op.\u00a011, a set of pieces [&hellip;]<\/p>\n","protected":false},"author":15,"featured_media":0,"template":"","meta":{"_acf_changed":false,"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"_tribe_events_status":"","_tribe_events_status_reason":"","_tribe_events_is_hybrid":"","_tribe_events_is_virtual":"","_tribe_events_virtual_video_source":"","_tribe_events_virtual_embed_video":"","_tribe_events_virtual_linked_button_text":"","_tribe_events_virtual_linked_button":"","_tribe_events_virtual_show_embed_at":"","_tribe_events_virtual_show_embed_to":[],"_tribe_events_virtual_show_on_event":"","_tribe_events_virtual_show_on_views":"","_tribe_events_virtual_url":"","footnotes":""},"tags":[],"tribe_events_cat":[],"class_list":["post-691978","tribe_events","type-tribe_events","status-publish","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.8 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>EXTENDED TECHNIQUE: poetry as a site of intermedial experimentation &#8212; Voice of English-speaking Qu\u00e9bec<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/veq.ca\/fr\/event\/extended-technique-poetry-as-a-site-of-intermedial-experimentation\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"EXTENDED TECHNIQUE: poetry as a site of intermedial experimentation &#8212; Voice of English-speaking Qu\u00e9bec\" \/>\n<meta property=\"og:description\" content=\"Join invited poet Jay Ritchie and guests for EXTENDED TECHNIQUE, an event exploring poetry as a site of intermedial experimentation. 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